Generated by All in One SEO v4.9.10, this is an llms.txt file, used by LLMs to index the site. # わかるコードセオリー コードっていろんな意味がありますが、ここで扱うのは音楽のコード。ギターコードとかのコードです。 ## Sitemaps - [XML Sitemap](https://shunkies.com/sitemap.xml): Contains all public & indexable URLs for this website. ## 投稿 - [コメント・お問い合わせ](https://shunkies.com/contact/) - [Ex-81 「怪獣の花唄」のメロの跳躍](https://shunkies.com/4242/) - [Ex-80 「One Note Samba」の半音下行](https://shunkies.com/4226/) - [Ex-79 積水ハウスの歌の Diminish](https://shunkies.com/4200/) - [Ex-78 「夢で逢えたら」の王道のコード進行](https://shunkies.com/4187/) - [Ex-77 「さよなら大好きな人」の Gm - A7 - Dm7](https://shunkies.com/4175/) - [Ex-76 「Subtitle」の Bメロは変拍子？](https://shunkies.com/4159/) - [Ex-75 「守ってあげたい」のこのコード](https://shunkies.com/4142/) - [Ex-74 「青春のリグレット」の謎のコード進行](https://shunkies.com/4126/) - [Ex-73 「青春のリグレット」の Fill のコード](https://shunkies.com/4113/) - [Ex-72 「Call me back」の不思議な感じ](https://shunkies.com/4099/) - [Ex-71 「きっと言える」は５度圏一周](https://shunkies.com/4080/) - [Ex-70 「時をかける少女」のサビの B♭](https://shunkies.com/4066/) - [Ex-69 Blizzard のメロの 11th](https://shunkies.com/4047/) - [Ex-68 シェエラザードのコードその３](https://shunkies.com/4026/) - [Ex-65 シェエラザードのコード](https://shunkies.com/3989/) - [Ex-67 シェエラザードのコードその２](https://shunkies.com/4012/) - [Ex-66 Audiostock にはねられた曲その２](https://shunkies.com/4003/) - [Ex-64 シェエラザードの駆け上がり下がりは Phrygian](https://shunkies.com/3973/) - [Ex-63 「海を見ていた午後」の Gm7 - FM7 進行その２](https://shunkies.com/3952/) - [Ex-62 「海と見ていた午後」の Gm7 - FM7 進行その１](https://shunkies.com/3919/) - [Ex-61 「新時代」のコードと進行](https://shunkies.com/3929/) - [Ex-60 「海を見ていた午後」の Am のクリシェ](https://shunkies.com/3904/) - [Ex-59 「春よ、来い」のサビ頭の F](https://shunkies.com/3889/) - [Ex-58 Audiostock にはねられた曲 その１](https://shunkies.com/3882/) - [Ex-57 「12月の雨」の転調](https://shunkies.com/3865/) - [Ex-56 「瞳を閉じて」の E7](https://shunkies.com/3849/) - [Ex-55 「ひこうき雲」の Gm](https://shunkies.com/3837/) - [Ex-44 「ルージュの伝言」ってコード 4つだけ](https://shunkies.com/3827/) - [12.1 Diminished Chord と Tension](https://shunkies.com/1782/) - [12. Diminished Scale](https://shunkies.com/1766/) - [Ex-43 Em は２つの顔を持つ](https://shunkies.com/3794/) - [Ex-42 「あの日にかえりたい」のイントロのコード](https://shunkies.com/3751/) - [11.2 Sus4 Chord](https://shunkies.com/1754/) - [11.1 裏コード](https://shunkies.com/1737/) - [11. その他のコード](https://shunkies.com/1732/) - [Ex-41 「中央フリーウエイ」の Aメロのコード](https://shunkies.com/3697/) - [10.7 Modal Interchange Chord その 3](https://shunkies.com/1713/) - [10.6 Modal Interchange Chord その 2](https://shunkies.com/1693/) - [Ex-40 「君が代」は Mixolydian or Dorian? その4](https://shunkies.com/3656/) - [Ex-39 「君が代」は Mixolydian or Dorian? その3](https://shunkies.com/3637/) - [Ex-38 「君が代」は Mixolydian or Dorian その2](https://shunkies.com/3619/) - [Ex-37 「君が代」は Mixolydian or Dorian? その１](https://shunkies.com/3606/) - [Ex-36 Dorian の曲と言えば「So What 」](https://shunkies.com/3578/) - [Ex-35 「ノルウェーの森」は Mixolydian と Dorian](https://shunkies.com/3562/) - [Ex-34 「シェリーに口づけ」のサビは Mixolydian](https://shunkies.com/3551/) - [Ex-33 「チョコボのテーマ」の Aメロは Mixolydian](https://shunkies.com/3531/) - [10.5 Modal Interchange Chord その 1](https://shunkies.com/1658/) - [Ex-32 「Chelsea Morning」は Mixolydian?](https://shunkies.com/3495/) - [10.4 Melodic minor の Mode](https://shunkies.com/1636/) - [Ex-31 ONE OK Rock の「Wonder」は Mixolydian](https://shunkies.com/3477/) - [Ex-30 メロがScale 通りの曲](https://shunkies.com/3458/) - [Ex-29 「きらり」の Aug コード？](https://shunkies.com/3444/) - [Ex-28 「なんてたってアイドル」の Aug コード](https://shunkies.com/3430/) - [Ex-27「白い色は恋人の色」の Aug コード](https://shunkies.com/3415/) - [Ex-26 「青春の影」の Aug コード](https://shunkies.com/3399/) - [Ex-25 「時間よとまれ」の Aug コード](https://shunkies.com/3387/) - [11.4 ♯5 コード と♭5 コード](https://shunkies.com/2056/) - [Ex-24 「きらり」の王道転調](https://shunkies.com/3357/) - [10.3 Church Mode その 3](https://shunkies.com/1616/) - [Ex-23 東京事変の「緑酒」のサビの転調](https://shunkies.com/3338/) - [Ex-22 「大都会」のベースの半音下行](https://shunkies.com/3324/) - [10.2 Church Mode その 2](https://shunkies.com/1596/) - [10. Modal Interchange](https://shunkies.com/1557/) - [10.1 Church Mode その1](https://shunkies.com/1564/) - [09.2 Subdominant minor Chord の Tension](https://shunkies.com/1543/) - [Ex-21 E7 → F に進行できる理屈わかります？](https://shunkies.com/3277/) - [Ex-20「ロビンソン」のコードの解説](https://shunkies.com/3265/) - [09.1 もう一つの Subdominant minor Chord](https://shunkies.com/1524/) - [09. Subdominant minor Chord](https://shunkies.com/1512/) - [Ex-19 「カブトムシ」のサビは転調？](https://shunkies.com/3234/) - [08.5 Natural minor Scale の二次 Dominant](https://shunkies.com/1496/) - [08.4 二次 Dominant は一時転調？](https://shunkies.com/1474/) - [Ex-18 「クリスマスキャロルの頃には」のコード解説](https://shunkies.com/3200/) - [Ex-17 「クリスマスイブ」のコードの解説](https://shunkies.com/3177/) - [08.3 Major Key の二次 Dominant の Connected II](https://shunkies.com/1468/) - [08.2 Major Key の二次 Dominant の Tension](https://shunkies.com/1455/) - [08.1 Major Key の二次 Dominant](https://shunkies.com/1440/) - [08. 二次 Dominant](https://shunkies.com/1429/) - [07.7 Tension のまとめ表](https://shunkies.com/1350/) - [EX-16「エリーゼのために」のここのコードわかります？](https://shunkies.com/3124/) - [07.6 Tritone をわかってなかった](https://shunkies.com/1314/) - [07.5 Melodic minor Chord の構造、機能と Tension](https://shunkies.com/1267/) - [18.11 Tension Resolve](https://shunkies.com/3089/) - [07.4 Harmonic minor Chord の構造、機能と Tension](https://shunkies.com/1214/) - [07.3 minor Scale での Dominant 7th Chord の Tension](https://shunkies.com/1191/) - [03.8 五度圏その2](https://shunkies.com/722/) - [07.2 Natural minor Chord の Tension](https://shunkies.com/1149/) - [Ex-15 この曲何だかわかります？](https://shunkies.com/3029/) - [07.1 Natural minor Chord の構造と機能](https://shunkies.com/1092/) - [07.0 Diatonic Chord その2 短調のコード](https://shunkies.com/1085/) - [Ex-14【王道進行】TSUNAMI](https://shunkies.com/3001/) - [06.9 Cadence](https://shunkies.com/1070/) - [Ex-13 I-VI-II-V 進行の曲](https://shunkies.com/2975/) - [06.8 6th コード](https://shunkies.com/1037/) - [06.7 7th コードの Tension](https://shunkies.com/1016/) - [Ex-12. 【I-VI-II-V】 Influência do Jazz](https://shunkies.com/2949/) - [06.6 Tension Note](https://shunkies.com/979/) - [06.5 Tensionとは](https://shunkies.com/965/) - [Ex-11. I -VI -II -V 進行](https://shunkies.com/2912/) - [06.4 コードの機能](https://shunkies.com/931/) - [06.3 長調のコードの構造](https://shunkies.com/880/) - [Ex-10.【王道進行】LOVE マシーン](https://shunkies.com/2880/) - [06.2 ドミソ・ドファラ・シレソの弊害](https://shunkies.com/872/) - [06.1 コード構成音とコードネーム](https://shunkies.com/848/) - [06. Diatonic Chord その1 長調のコード](https://shunkies.com/844/) - [Ex-09.【王道進行】涙のキッス](https://shunkies.com/2849/) - [05.1 調性とは](https://shunkies.com/800/) - [05. 調性](https://shunkies.com/795/) - [05.2 調性と無調](https://shunkies.com/809/) - [03.6 なぜ完全音程と長短音程があるのか](https://shunkies.com/825/) - [04.2 Harmonic minor なんて要らない](https://shunkies.com/777/) - [04.3 Melodic minor](https://shunkies.com/785/) - [04.1 Harmonic minor](https://shunkies.com/757/) - [04. 音階その2](https://shunkies.com/751/) - [03.7 五度圏その1](https://shunkies.com/691/) - [Ex-08. 【王道進行】いとしのエリー](https://shunkies.com/2754/) - [03.3 音程の数え方その2](https://shunkies.com/637/) - [03.2 音程の数え方その1](https://shunkies.com/607/) - [03.1 音程という言葉はおかしい](https://shunkies.com/595/) - [03.5 音程の数え方その4](https://shunkies.com/665/) - [03.4 音程の数え方その3](https://shunkies.com/650/) - [03. 音程](https://shunkies.com/592/) - [Ex-07.【王道進行】君がいるだけで](https://shunkies.com/2687/) - [02.4 Major Scale](https://shunkies.com/451/) - [02.5 minor Scale](https://shunkies.com/508/) - [02.3 Major Scale と minor Scale](https://shunkies.com/495/) - [02. 音階その1](https://shunkies.com/485/) - [02.2 音名と階名](https://shunkies.com/511/) - [02.1 音律と音階](https://shunkies.com/427/) - [Ex-06. メヌエットの 1 小節目](https://shunkies.com/2583/) - [18.10 Connected Approach](https://shunkies.com/2568/) - [18.9 Dominant Approach](https://shunkies.com/2554/) - [18.8 Diminish Approach](https://shunkies.com/2539/) - [18.7 Chromatic Approach](https://shunkies.com/2527/) - [18.6 Diatonic Approach](https://shunkies.com/2507/) - [18.5 メロが Tension Note の Voicing](https://shunkies.com/2493/) - [18.4 メロが Chord Tone の Voicing](https://shunkies.com/2482/) - [18.3 メロの音の仕分け](https://shunkies.com/2456/) - [18.2 Closed Voicing と Open Voicing](https://shunkies.com/2428/) - [11.3 Slash Chord](https://shunkies.com/2041/) - [11.5 その他のコード](https://shunkies.com/2066/) - [Ex-03. トルコ行進曲の余談](https://shunkies.com/2355/) - [18.1 和声学から](https://shunkies.com/2403/) - [18. Voicing](https://shunkies.com/2395/) - [17.7 突然転調](https://shunkies.com/2388/) - [Ex-05. 半音上げ転調の曲](https://shunkies.com/2377/) - [Ex-04. NiziU の Step and a step 問題](https://shunkies.com/2367/) - [17.6 Parallel Key への転調](https://shunkies.com/2344/) - [17.2 イパネマの娘](https://shunkies.com/2325/) - [17.5 Pivot = Subdominant minor](https://shunkies.com/2304/) - [17.4 Pivot = Diatonic Chord](https://shunkies.com/2277/) - [17.3 半音上げ転調](https://shunkies.com/2267/) - [17.1 トルコ行進曲](https://shunkies.com/2290/) - [17. 転調](https://shunkies.com/2257/) - [Ex-02. Low Interval Limit](https://shunkies.com/2239/) - [16.3 Sequential Motion](https://shunkies.com/2219/) - [16.2 ペダル](https://shunkies.com/2210/) - [16.1 クリシェ](https://shunkies.com/2184/) - [16. 定型コード進行](https://shunkies.com/2181/) - [15.4 UST の作り方 - G7 その 2](https://shunkies.com/2149/) - [15.3 UST の作り方 - G7 その 1](https://shunkies.com/2122/) - [15.2 UST の作り方 - minor Scale](https://shunkies.com/2106/) - [15.1 UST の作り方 - Major Scale](https://shunkies.com/2089/) - [15. Upper Structured Triad](https://shunkies.com/2082/) - [14. Whole Tone Scale](https://shunkies.com/2028/) - [13.8 Diminished 7th の Chord Scale](https://shunkies.com/2020/) - [13.7 裏コードの Chord Scale](https://shunkies.com/2000/) - [13.6 Modal Interchange Chord の Chord Scale](https://shunkies.com/1974/) - [13.5 二次 Dominant の Chord Scale](https://shunkies.com/1963/) - [13.4 G7 の Chord Scale](https://shunkies.com/1913/) - [Ex-01 チューリップの Aメロのコード付け](https://shunkies.com/1919/) - [13.3 Harmonic minor と Melodic minor の Chord Scale](https://shunkies.com/1890/) - [13.2 Natural minor の Chord Scale](https://shunkies.com/1870/) - [13.1 Major Chord Scale](https://shunkies.com/1852/) - [13. Chord Scale](https://shunkies.com/1843/) - [12.4 Diminished Chord を使った曲](https://shunkies.com/1831/) - [12.3 Passing Diminish](https://shunkies.com/1818/) - [12.2 Functional Diminish](https://shunkies.com/1804/) - [01.5 役に立った本](https://shunkies.com/56/) - [01.4 どこまでをカバーするか](https://shunkies.com/54/) - [01. 初めに](https://shunkies.com/314/) - [01.6 鍵盤配列との格闘](https://shunkies.com/58/) - [01.1 自己紹介](https://shunkies.com/29/) - [01.2 サイト立上げのわけ](https://shunkies.com/531/) - [01.3 読んでいただきたい方](https://shunkies.com/52/) ## 固定ページ - [お知らせ](https://shunkies.com/) - コードっていろんな意味がありますが、ここで扱うのは音楽のコード。ギターコードとかのコードです。 - [このサイトの目次](https://shunkies.com/このサイトの目次/) - [このサイトの決め事](https://shunkies.com/このサイトの決め事/) ## カテゴリー - [未分類](https://shunkies.com/category/未分類/) - [01. 初めに](https://shunkies.com/category/01-introduction/) - [02. 音階その1](https://shunkies.com/category/02-scale-1/) - [01.1 自己紹介](https://shunkies.com/category/01-introduction/01-1-self-introduction/) - [01.2 サイト立上げのわけ](https://shunkies.com/category/01-introduction/01-2-motivation-why-i-made-this-site/) - [01.3 読んでいただきたい方](https://shunkies.com/category/01-introduction/01-3-target-person-of-this-site/) - [01.4 どこまでをカバーするか](https://shunkies.com/category/01-introduction/01-4-coverage/) - [01.5 役に立った本](https://shunkies.com/category/01-introduction/01-5-useful-book/) - [01.6 鍵盤配列との格闘](https://shunkies.com/category/01-introduction/01-6-fight-against-keyboard/) - [02.1 音律と音階](https://shunkies.com/category/02-scale-1/02-1-temperament/) - [02.4 Major Scale](https://shunkies.com/category/02-scale-1/02-4-major-scale/) - [03. 音程](https://shunkies.com/category/03-about-interval/) - [05. 調性](https://shunkies.com/category/05-tonality/) - [05.1 調性とは](https://shunkies.com/category/05-tonality/05-1-about-tonality/) - [05.2 調性と無調](https://shunkies.com/category/05-tonality/05-2-on-tonality/) - [06. Diatonic Chord その1 長調のコード](https://shunkies.com/category/05-4-diatonic-chord-no-1-major-scale/) - [06.1 コード構成音とコードネーム](https://shunkies.com/category/05-4-diatonic-chord-no-1-major-scale/06-chord-tone-and-chord-name/) - [06.2 ドミソ・ドファラ・シレソの弊害](https://shunkies.com/category/05-4-diatonic-chord-no-1-major-scale/06-2-domisol-dofala-siresol-being-harmful/) - [06.3 長調のコードの構造](https://shunkies.com/category/05-4-diatonic-chord-no-1-major-scale/06-2-structure-of-major-scale-chord/) - [06.4 コードの機能](https://shunkies.com/category/05-4-diatonic-chord-no-1-major-scale/06-3-chord-function/) - [06.5 Tensionとは](https://shunkies.com/category/05-4-diatonic-chord-no-1-major-scale/06-5-tension/) - [06.7 7th コードのTension](https://shunkies.com/category/05-4-diatonic-chord-no-1-major-scale/06-6-tension-of-seventh-chord/) - [07. Diatonic Chord その2 短調のコード](https://shunkies.com/category/07-1-diatonic-chord-no-2-minor-scale-chord/) - [02.2 音名と階名](https://shunkies.com/category/02-scale-1/02-2-pitch-name/) - [02.5 minor Scale](https://shunkies.com/category/02-scale-1/02-5-minor-scale/) - [03.1 音程という言葉はおかしい](https://shunkies.com/category/03-about-interval/03-1-interval-is-word-inadequate/) - [03.2 音程の数え方その1](https://shunkies.com/category/03-about-interval/03-2-how-to-count-interval/) - [03.3 音程の数え方その2](https://shunkies.com/category/03-about-interval/03-3-how-to-count-interval-no-2/) - [03.4 音程の数え方その3](https://shunkies.com/category/03-about-interval/03-4-how-to-count-interval-no-3/) - [03.5 音程の数え方その4](https://shunkies.com/category/03-about-interval/03-5-how-to-count-interval-no-4/) - [03.8 五度圏その2](https://shunkies.com/category/03-about-interval/03-8-circle-of-5th-no-12/) - [03.7 五度圏その1](https://shunkies.com/category/03-about-interval/03-7-circle-of-5th-no-1/) - [04. 音階その2](https://shunkies.com/category/04-scale-no-2/) - [04.1 Harmonic minor](https://shunkies.com/category/04-scale-no-2/04-1-harmonic-minor/) - [04.2 Harmonic minor なんて要らない](https://shunkies.com/category/04-scale-no-2/04-2-harmoni-minor-not-needed/) - [04.3 Melodic minor](https://shunkies.com/category/04-scale-no-2/04-3-melodic-minor/) - [03.6 なぜ完全音程と長短音程があるのか](https://shunkies.com/category/03-about-interval/03-6-why-major-minor-interval-and-perfect-interval/) - [06.6 Tension Note](https://shunkies.com/category/05-4-diatonic-chord-no-1-major-scale/06-6-tension-note/) - [06.8 6th コード](https://shunkies.com/category/05-4-diatonic-chord-no-1-major-scale/06-8-6th-chord/) - [06.9 Cadence](https://shunkies.com/category/05-4-diatonic-chord-no-1-major-scale/06-9-cadence/) - [07.1 Natural minor Chord の構造と機能](https://shunkies.com/category/07-1-diatonic-chord-no-2-minor-scale-chord/07-1-natural-minor-chord-structure-and-function/) - [07.2 Natural minor Chord の Tension](https://shunkies.com/category/07-1-diatonic-chord-no-2-minor-scale-chord/07-2-natural-mino-chord-tension/) - [07.3 minor Scale での Dominant 7th Chord の Tension](https://shunkies.com/category/07-1-diatonic-chord-no-2-minor-scale-chord/07-3-minor-scale-dominant-7th-chord-tension/) - [07.4 Harmonic minor Chord の構造、機能と Tension](https://shunkies.com/category/07-1-diatonic-chord-no-2-minor-scale-chord/07-4-harmonic-minor-chord-structure-function-and-tension/) - [07.5 Melodic minor Chord の構造、機能と Tension](https://shunkies.com/category/07-1-diatonic-chord-no-2-minor-scale-chord/07-5-melodic-minor-chord-structure-function-and-tension/) - [07.6 Tritone をわかってなかった](https://shunkies.com/category/07-1-diatonic-chord-no-2-minor-scale-chord/07-6-tritone-incomprehensible/) - [07.7 Tension のまとめ表](https://shunkies.com/category/07-1-diatonic-chord-no-2-minor-scale-chord/07-7-list-of-tension-notes/) - [08. 二次 Dominant](https://shunkies.com/category/08-secondary-dominant/) - [08.1 Major Key の二次 Dominant](https://shunkies.com/category/08-secondary-dominant/08-1-secondary-dominant-of-major-key/) - [08.2 Major Key の二次 Dominant の Tension](https://shunkies.com/category/08-secondary-dominant/08-2-tension-of-secondary-dominant-under-major-key/) - [08.3 Major Key の二次 Dominant の Connected II](https://shunkies.com/category/08-secondary-dominant/08-3-connected-ii-of-major-key-secondary-dominant/) - [08.4 二次 Dominant は一時転調？](https://shunkies.com/category/08-secondary-dominant/08-4-secondary-dominant-is-modulation/) - [08.5 Natural minor Scale の二次 Dominant](https://shunkies.com/category/08-secondary-dominant/08-5-secondary-dominant-of-natural-minor-scale/) - [09. Subdominant minor Chord](https://shunkies.com/category/09-subdominant-minor-chord/) - [09.1 もう一つの Subdominant minor Chord](https://shunkies.com/category/09-subdominant-minor-chord/09-1-another-subdominant-minor-chord/) - [09.2 Subdominant minor Chord の Tension](https://shunkies.com/category/09-subdominant-minor-chord/09-2-tension-of-subdominant-minor-chord/) - [10. Modal Interchange](https://shunkies.com/category/10-modal-interchange/) - [10.1 Church Mode その1](https://shunkies.com/category/10-modal-interchange/10-1-church-mode-no-1/) - [10.2 Church Mode その 2](https://shunkies.com/category/10-modal-interchange/10-2-church-mode-no-2/) - [10.3 Church Mode その 3](https://shunkies.com/category/10-modal-interchange/10-3-church-mode-no-3/) - [10.4 Melodic minor の Mode](https://shunkies.com/category/10-modal-interchange/10-4-mode-from-melodic-minor/) - [10.5 Modal Interchange Chord その 1](https://shunkies.com/category/10-modal-interchange/10-5-modal-interchange-chord-no-1/) - [10.6 Modal Interchange Chord その 2](https://shunkies.com/category/10-modal-interchange/10-6-modal-interchange-chord-no-2/) - [10.7 Modal Interchange Chord その 3](https://shunkies.com/category/10-modal-interchange/10-7-modal-interchange-chord-no-3/) - [11. その他のコード](https://shunkies.com/category/11-other-chord/) - [11.1 裏コード](https://shunkies.com/category/11-other-chord/11-1-substitute-dominant-chord/) - [11.2 Sus4 Chord](https://shunkies.com/category/11-other-chord/11-2-sus4-chord/) - [12. Diminished Scale](https://shunkies.com/category/12-diminished-scale/) - [12.1 Diminished Chord と Tension](https://shunkies.com/category/12-diminished-scale/12-1-diminished-chord-and-tension/) - [12.2 Functional Diminish](https://shunkies.com/category/12-diminished-scale/12-2-functional-diminish/) - [12.3 Passing Diminish](https://shunkies.com/category/12-diminished-scale/12-3-passing-diminish/) - [12.4 Diminished Chord を使った曲](https://shunkies.com/category/12-diminished-scale/12-4-songs-using-diminished-chord/) - [13. Chord Scale](https://shunkies.com/category/13-chord-scale/) - [13.1 Major Chord Scale](https://shunkies.com/category/13-chord-scale/13-1-major-chord-scale/) - [13.2 Natural minor の Chord Scale](https://shunkies.com/category/13-chord-scale/13-2-natural-minor-chord-scale/) - [13.3 Harmonic minor と Melodic minor の Chord Scale](https://shunkies.com/category/13-chord-scale/13-3-harmonic-minor-and-melodic-minor-chord-scale/) - [13.4 G7 の Chord Scale](https://shunkies.com/category/13-chord-scale/13-4-g7-chord-scale/) - [Ex-01 チューリップの Aメロのコード付け](https://shunkies.com/category/extra-page/ex-01-how-to-play-chord-on-tulip/) - [番外編](https://shunkies.com/category/extra-page/) - [13.5 二次 Dominant の Chord Scale](https://shunkies.com/category/13-chord-scale/13-5-secondary-dominant-chord-scale/) - [13.7 裏コードの Chord Scale](https://shunkies.com/category/13-chord-scale/13-7-substitute-dominant-chord-scale/) - [13.8 Diminished 7th の Chord Scale](https://shunkies.com/category/13-chord-scale/13-8-diminished-7th-chord-scale/) - [14. Whole Tone Scale](https://shunkies.com/category/14-whole-tone-scale/) - [11.3 Slash Chord](https://shunkies.com/category/11-other-chord/11-3-slash-chord/) - [11.4 ♯5 コードと♭5 コード](https://shunkies.com/category/11-other-chord/11-4-♯5-chord-and-♭5-chord/) - [11.5 その他のコード](https://shunkies.com/category/11-other-chord/11-5-other-chord/) - [15. Upper Structured Triad](https://shunkies.com/category/15-upper-structured-triad/) - [15.1 UST の作り方 - Major Scale](https://shunkies.com/category/15-upper-structured-triad/15-1-how-to-make-ust-major-scale/) - [15.2 UST の作り方 - minor Scale](https://shunkies.com/category/15-upper-structured-triad/15-2-how-to-make-ust-minor-scale/) - [15.3 UST の作り方 - G7 その1](https://shunkies.com/category/15-upper-structured-triad/15-3-how-to-make-ust-g7-1/) - [15.4 UST の作り方 - G7 その2](https://shunkies.com/category/15-upper-structured-triad/15-4-how-to-make-ust-g7-2/) - [16. 定型コード進行](https://shunkies.com/category/16-template-chord-progression/) - [16. 1 クリシェ](https://shunkies.com/category/16-template-chord-progression/16-1-cliche/) - [16.2 ペダル](https://shunkies.com/category/16-template-chord-progression/16-2-pedal-point/) - [16.3 Sequential Motion](https://shunkies.com/category/16-template-chord-progression/16-3-sequential-motion/) - [Ex-02. Low Interval Limit](https://shunkies.com/category/extra-page/ex-02-low-interval-limit/) - [17. 転調](https://shunkies.com/category/17-modulation/) - [17.3 半音上げ転調](https://shunkies.com/category/17-modulation/17-3-modulation-half-tone-up/) - [17.4 Pivot = Diatonic Chord](https://shunkies.com/category/17-modulation/17-4-pivot-diatonic-chord/) - [17.1 トルコ行進曲](https://shunkies.com/category/17-modulation/17-2-turkish-march/) - [17.5 Pivot = Subdominant minor](https://shunkies.com/category/17-modulation/17-5-pivot-subdominant-minor/) - [17.2 イパネマの娘](https://shunkies.com/category/17-modulation/17-2-girl-from-ipanema/) - [17.6 Parallel Key への転調](https://shunkies.com/category/17-modulation/17-6-modulation-to-parallel-key/) - [Ex-03. トルコ行進曲の余談](https://shunkies.com/category/extra-page/ex-03-more-about-turkish-march/) - [Ex-04. NiziU の Step and a step 問題](https://shunkies.com/category/extra-page/ex-04-an-issue-on-niziu-step-and-a-step/) - [Ex-05. 半音上げ転調の曲](https://shunkies.com/category/extra-page/ex-05-songs-with-half-tone-up-modulation/) - [17.7 突然転調](https://shunkies.com/category/17-modulation/17-7-sudden-modulation/) - [18. Voicing](https://shunkies.com/category/18-voicing/) - [18.1 和声楽から](https://shunkies.com/category/18-voicing/18-1-from-harmonics/) - [18.2 Closed Voicing と Open Voicing](https://shunkies.com/category/18-voicing/18-2-closed-voicing-and-open-voicing/) - [18.3 メロの音の仕分け](https://shunkies.com/category/18-voicing/18-3-how-to-sort-our-melody-tone/) - [18.4 メロが Chord Tone の Voicing](https://shunkies.com/category/18-voicing/18-4-voicing-in-case-of-top-note-as-chord-tone/) - [18.5 メロが Tension Note の Voicing](https://shunkies.com/category/18-voicing/18-5-voicing-in-case-of-tension-note-as-melody/) - [18.6 Diatonic Approach](https://shunkies.com/category/18-voicing/18-6-diatonic-approach/) - [18.7 Chromatic Approach](https://shunkies.com/category/18-voicing/18-7-chromatic-approach/) - [18.8 Diminish Approach](https://shunkies.com/category/18-voicing/18-8-diminish-approach/) - [18.9 Dominant Approach](https://shunkies.com/category/18-voicing/18-9-dominant-approach/) - [18.10 Connected Approach](https://shunkies.com/category/18-voicing/18-10-connected-approach/) - [Ex-06. メヌエットの 1 小節目](https://shunkies.com/category/extra-page/ex-06-1st-bar-menuett/) - [02.3 Major Scale と minor Scale](https://shunkies.com/category/02-scale-1/02-3-major-scale-and-minor-scale/) - [Ex-07.【王道進行】君がいるだけで](https://shunkies.com/category/extra-page/ex-07-standard-progression-kimi-ga-iru-dakede/) - [Ex-08. 【王道進行】いとしのエリー](https://shunkies.com/category/extra-page/ex-08-standard-progression-ellie-my-love/) - [Ex-09.【王道進行】涙のキッス](https://shunkies.com/category/extra-page/ex-09-standard-progression-namida-no-kiss/) - [Ex-10.【王道進行】LOVE マシーン](https://shunkies.com/category/extra-page/ex-10-standard-progression-love-machine/) - [Ex-11. I -VI -II -V 進行](https://shunkies.com/category/extra-page/ex-11-i-vi-ii-v-progression/) - [Ex-12. 【I-VI-II-V】 Influência do Jazz](https://shunkies.com/category/extra-page/ex-12-【i-vi-ii-v】-influencia-do-jazz/) - [Ex-13 I-VI-II-V 進行の曲](https://shunkies.com/category/extra-page/ex-13-songs-containing-i-vi-ii-v-progression/) - [Ex-14【王道進行】TSUNAMI](https://shunkies.com/category/extra-page/ex-14-standard-progression-tsunami/) - [Ex-15 この曲何だかわかります？](https://shunkies.com/category/extra-page/ex-15-can-you-hit-the-name-of-this-song/) - [18.11 Tension Resolve](https://shunkies.com/category/18-voicing/18-11-tension-resolve/) - [EX-16「エリーゼのために」のここのコードわかります？](https://shunkies.com/category/extra-page/ex-16-do-you-figure-out-chords-in-for-elise/) - [Ex-17 「クリスマスイブ」のコードの解説](https://shunkies.com/category/extra-page/ex-17-christmas-eve-chords/) - [Ex-18 「クリスマスキャロルの頃には」のコード解説](https://shunkies.com/category/extra-page/ex-18-christmas-carol-chords/) - [Ex-19 「カブトムシ」のサビは転調？](https://shunkies.com/category/extra-page/ex-19-chorus-of-kabutomushi-is-modulation/) - [Ex-20「ロビンソン」のコードの解説](https://shunkies.com/category/extra-page/ex-20-chords-in-robinson/) - [Ex-21 E7 → F に進行できる理屈わかります？](https://shunkies.com/category/extra-page/ex-21-do-you-know-theory-of-e7-f-progression/) - [Ex-22 「大都会」のベースの半音下行](https://shunkies.com/category/extra-page/ex-22-chromatic-descending-of-daitokai/) - [Ex-23 東京事変の「緑酒」のサビの転調](https://shunkies.com/category/extra-page/ex-23-modulation-of-ryokushu-chorus-by-tokyo-jihen/) - [Ex-24 「きらり」の王道転調](https://shunkies.com/category/extra-page/ex-24-standard-modulation-of-kirari/) - [Ex-25 「時間よとまれ」の Aug コード](https://shunkies.com/category/extra-page/ex-25-aug-chord-of-jikan-yo-tomare/) - [Ex-26 「青春の影」の Aug コード](https://shunkies.com/category/extra-page/ex-26-augmented-chord-of-seishun-no-kage/) - [ex-27-「白い色は恋人の色」の Aug コード](https://shunkies.com/category/extra-page/ex-27-augmented-chord-of-shiroi-iro-ha-koibito-no-iro/) - [Ex-28 「なんてたってアイドル」の Aug コード](https://shunkies.com/category/extra-page/ex-28-augmented-chord-of-nantetatte-idol/) - [Ex-29 「きらり」の Aug コード？](https://shunkies.com/category/extra-page/ex-29-augmented-chord-of-kirari/) - [Ex-30 メロがScale 通りの曲](https://shunkies.com/category/extra-page/ex-30-scale-as-melody/) - [Ex-31 ONE OK Rock の「Wonder」は Mixolydian](https://shunkies.com/category/extra-page/ex-31-wonder-by-one-ok-rock-is-mixolydian/) - [Ex-32 「Chelsea Morning」は Mixolydian?](https://shunkies.com/category/extra-page/ex-32-chelsea-morning-being-mixolydian/) - [Ex-33 「チョコボのテーマ」の Aメロは Mixolydian](https://shunkies.com/category/extra-page/ex-33-verse-of-theme-of-chokobo-is-mixolydian/) - [Ex-34 「シェリーに口づけ」のサビは Mixolydian](https://shunkies.com/category/extra-page/ex-34-chorus-of-tout-tout-pour-ma-cherie-is-mixolydian/) - [Ex-35 「ノルウェーの森」は Mixolydian と Dorian](https://shunkies.com/category/extra-page/ex-35-norwegian-wood-made-by-mixolydian-and-dorian/) - [Ex-36 Dorian の曲と言えば「So What 」](https://shunkies.com/category/extra-page/ex-36-so-what-made-by-dorian/) - [Ex-38 「君が代」は Mixolydian or Dorian? その１](https://shunkies.com/category/extra-page/ex-38-kimigayo-made-by-mixolydian-or-dorian-1/) - [Ex-39 「君が代」は Mixolydian or Dorian? その3](https://shunkies.com/category/extra-page/ex-39-kimigayo-made-by-mixolydian-or-dorian-3/) - [Ex-40 「君が代」は Mixolydian or Dorian? その4](https://shunkies.com/category/extra-page/ex-40-kimigayo-made-by-mixolydian-or-dorian-4/) - [Ex-41 「中央フリーウエイ」の Aメロのコード](https://shunkies.com/category/extra-page/ex-41-chord-of-verse-of-chuo-free-way/) - [Ex-42 「あの日にかえりたい」のイントロのコード](https://shunkies.com/category/extra-page/ex-42-introduction-chord-of-ano-hi-ni-kaeritai/) - [Ex-43 Em は２つの顔を持つ](https://shunkies.com/category/extra-page/ex-43-em-having-two-faces/) - [Ex-44 「ルージュの伝言」ってコード 4つだけ](https://shunkies.com/category/extra-page/ex-44-4-chords-only-in-rouge-no-dengon/) - [Ex-55 「ひこうき雲」の Gm](https://shunkies.com/category/extra-page/ex-55-gm-in-hiko-kigumo/) - [Ex-57 「12月の雨」の転調](https://shunkies.com/category/extra-page/ex-57-modulation-in-12gatu-no-ame/) - [Ex-58 Audiostock にはねられた曲その1](https://shunkies.com/category/extra-page/ex-58-song-disqualified-by-audiostock/) - [Ex-59 「春よ、来い」のサビ頭の F](https://shunkies.com/category/extra-page/ex-59-f-at-chorus-of-haruyo-koi/) - [Ex-60 「海を見ていた午後」の Am のクリシェ](https://shunkies.com/category/extra-page/ex-60-am-cliche-of-umi-wo-miteita-gogo/) - [Ex-62 「海と見ていた午後の Gm7 - FM7 進行その１](https://shunkies.com/category/extra-page/ex-62-gm7-fm7-progression-of-umiwo-miteita-gogo1/) - [Ex-61 「新時代」のコードと進行](https://shunkies.com/category/extra-page/ex-61　chord-and-progression-of-sinjidai/) - [Ex-63 「海を見ていた午後」の Gm7 - FM7 進行その２](https://shunkies.com/category/extra-page/ex-63-gm7-fm7-progression-of-umiwo-miteita-gogo-2/) - [Ex-64 シェエラザードの駆け上がり下がりは Phrygian](https://shunkies.com/category/extra-page/ex-64-up-and-down-of-scheherazade-is-phrygian/) - [Ex-65 シェエラザードのコード](https://shunkies.com/category/extra-page/ex-65-chords-used-in-scheherazade/) - [Ex-66 Audiostock にはねられた曲その２](https://shunkies.com/category/extra-page/ex-66-song-disqualified-by-audiostock-2/) - [Ex-67 シェエラザードのコードその２](https://shunkies.com/category/extra-page/ex-67-chords-used-to-sheherazade-2/) - [Ex-68 シェエラザードのコードその３](https://shunkies.com/category/extra-page/ex-68-chords-used-in-sheherazade-3/) - [Ex-69 Blizzard のメロの 11th](https://shunkies.com/category/extra-page/ex-69-melody-11th-of-blizzard/) - [Ex-70 「時をかける少女」のサビの B♭](https://shunkies.com/category/extra-page/ex-70-chord-b♭-at-chorus-of-toki-wo-kakeru-shoujo/) - [Ex-71 「きっと言える」は５度圏一周](https://shunkies.com/category/extra-page/ex-71-kitto-ieru-rounding-circle-of-5th/) - [Ex-72 「Call me back」の不思議な感じ](https://shunkies.com/category/extra-page/ex-72-call-me-back-sence-of-wonder/) - [Ex-73 「青春のリグレット」の Fill のコード](https://shunkies.com/category/extra-page/ex-73-chord-progression-of-seishun-no-regret/) - [Ex-74 「青春のリグレット」の謎のコード進行](https://shunkies.com/category/extra-page/ex-74-chord-progression-of-seishun-no-regret/) - [Ex-75 「守ってあげたい」のこのコード](https://shunkies.com/category/extra-page/ex-75-chord-of-mamotte-agetai/) - [Ex-76 「Subtitle」の Bメロは変拍子？](https://shunkies.com/category/extra-page/ex-76-subtitle-made-by-irregular-time/) - [Ex-77 「さよなら大好きな人」の Gm - A7 - Dm7](https://shunkies.com/category/extra-page/ex-77-sayonara-daisuki-na-hito-gm-a7-dm7/) - [Ex-78 「夢で逢えたら」の王道のコード進行](https://shunkies.com/category/extra-page/ex-78-chord-progression-of-yume-de-aetara/) - [Ex-79 積水ハウスの歌の Diminish](https://shunkies.com/category/extra-page/ex-79-sekisui-house-cm-song-diminish/) - [Ex-80 「One Note Samba」 の半音下行](https://shunkies.com/category/extra-page/ex-80-one-note-samba-descending-chromatically/) - [Ex-81 「怪獣の花唄」のメロの跳躍](https://shunkies.com/category/extra-page/ex-81-disjunct-motion-of-kaijuu-no-hanauta/)